Hierbij een overzicht van mijn publicaties als hoofd- en co-auteur:
Geerten Verberkmoes, “Bringing It All Back Home”, THE STRAD, vol. 134, no. 1604, 2023, pp. 68–69.
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Geerten Verberkmoes, “Benoît Joseph Boussu: La Carrière Singulière d’un Notaire Hainuyer Devenu Luthier”, La Musique en Hainaut aux XVIIe–XVIIIe Siècles, edited by Fanch Thoraval and Brigitte Van Wymeersch, Brepols, 2021, pp. 435–443.
Geerten Verberkmoes, book review for: “Strings and Celebrities”, Uri M. Kupferschmidt, Pardes Publishing, 2019, in: JOURNAL OF THE AMERICAN MUSICAL INSTRUMENT SOCIETY, vol. 47, 2021, pp. 203–206.
Tim Duerinck, Joost Segers, Ewa Skrodzka, Geerten Verberkmoes, Marc Leman, Wim Van Paepegem, Mathias Kersemans, “Experimental Comparison of Various Excitation and Acquisition Techniques for Modal Analysis of Violins”, APPLIED ACOUSTICS, vol. 177, 2021.
Geerten Verberkmoes, “Boussu Inside Out, A Multifaceted Organological Study of the Life, Instruments and Methods of the Violin Maker Benoit Joseph Boussu (1703-1773)”, proefschrift voor het verkrijgen van de graad van Doctor in de Kunstwetenschappen, Universiteit Gent, 2020.
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Geerten Verberkmoes, tekst cd-boekje voor album “Brussels Trio Sonatas”, Project Boussu, Etcetera Records, KTC 1679, 2020.
Tim Duerinck, Geerten Verberkmoes, Claudia Fritz, Marc Leman, Luc Nijs, Mathias Kersemans, Wim Van Paepegem, “Listener Evaluations of Violins Made from Composites”, JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, vol. 147, no. 4, 2020, pp. 2647–2655.
Geerten Verberkmoes, “Hybrid Habits”, THE STRAD, vol. 130, no. 1546, 2019, pp. 80–81.
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Tim Duerinck, Geerten Verberkmoes, Wim Van Paepegem, Mathias Kersemans, Luc Nijs, Marc Leman. “Music Instruments from Carbon, Glass or Flax Fibres”, JEC COMPOSITES MAGAZINE, no. 129, 2019, pp. 63–65.
Geerten Verberkmoes, “From Informed Instrument Making to Informed Music-Making: A Project Aimed at Performing Historical Music on the Geographically and Chronologically Most Suitable Instruments”, Cremona Baroque Music 2018: 18th Biennial International Conference on Baroque Music, Abstracts, edited by Palazzo Trecchi and Teatro Bibiena, Musicology and Cultural Heritage Department, Pavia University, Cremona, 2018, pp. 228–229.
Geerten Verberkmoes, “Instrument (Re-)Construction as a Catalyst for Organological Research”, Wooden Musical Instruments: Different Forms of Knowledge: Book of End of WoodMusICK COST Action FP1302, edited by Marco A. Pérez and Emanuele Marconi, Philharmonie de Paris/COST, 2018, pp. 9–33.
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Geerten Verberkmoes, “Made in Amsterdam: a 1771 Cittern by Benoit Joseph Boussu”, EARLY MUSIC, vol. 44, no. 4, 2016, pp. 627–641.
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Geerten Verberkmoes, “Study on the Life, Instruments and Construction Methods of the Eighteenth Century Violin Maker Benoit Joseph Boussu: A Presentation of the Project”, 3rd Annual Conference COST FP1302 WoodMusICK “Making Wooden Musical Instruments: An Integration of Different Forms of Knowledge”, edited by Marco A Pérez and Sandie Le Conte, Barcelona, FPS COST WoodMusICK, 2016, pp. 133–138.
Geerten Verberkmoes, Anne-Emmanuelle Ceulemans, Danielle Balériaux, Berend Stoel, “An Inside Look at Four Historical Violins by Brussels Makers.” THE GALPIN SOCIETY JOURNAL, Vol. 69, 2016, pp. 109–136.
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Geerten Verberkmoes, Michael Sieland, Yasutaka Nakajima, Naru Sato, Masaharu Ohya, Kiyokatsu Iwahashi, “A Multifunction Measurement System Based on a Dedicated Portable Computer and a Multi-channel Wireless Sensor System”, International Conference on Acoustics, Merano, 2013, pp. 1698–1700.
Geerten Verberkmoes, “Benoit Joseph Boussu (1703-1773): Violin Maker and Notary”, THE GALPIN SOCIETY JOURNAL, vol. 66, 2013, pp. 117–138.
(link pdf)
Anne LJ van Raalte, Rudy A Demel, Geerten Verberkmoes, Eefjan Breukink, Rob CA Keller, Ben de Kruijff, “Influence of the Signal Sequence and Chaperone SecB on the Interaction Between Precursor Protein prePhoE and Phospholipids”, EUROPEAN JOURNAL OF BIOCHEMISTRY, vol. 235, no. 1/2, 1996, pp. 207–214.
(link pdf)